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Posts tagged rooms

Recently, I’ve written posts examining the important roles of ceilings and floors in the well appointed room.  Today, walls get their due spotlight.  The wall plane is by far the most beheld of all room elements (it’s is at eye level, after all).  Dressing the wall, however, can go far beyond the drab frock of sheetrock.  Here are some examples of where we took the concept of “wall paper” to whole new levels.

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Inherently colored plasters (often called “Venetian plaster”) can add a rich, earthiness to a room. It’s surface is polished to a slightly reflective sheen and, since the color the integral to the material, does not require paint.

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We like to use flush wood planking in relaxed, casual settings.  The nature of the material innately calls out to used for beach cottages, mountain shacks and lake cabins.  Whether painted (shown pictured, left) or stained, this masculine treatment almost makes you feel like you’re lounging in a cigar box.

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Mention the word “library” and the mind conjures images of a dark, smoky, paneled gentleman’s room.  In this library, we desired that atmosphere but we wanted to try to create it in a completely different fashion.  We paneled the walls with tobacco colored fabric thus creating an upholstered sanctuary.  The sound quality in a quilted room is unlike all others;  a hush occurs almost immediately upon entering.

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Heavy fabric provides excellent sound attenuation and lives well in screening rooms. This minute, two person TV lounge is enveloped in lush mohair drapery. Thick, heavy curtains were a staple in the cavernous volumes of old Hollywood movie houses. Why couldn’t they add equal drama in a little space?  Add a bit of gilt (as in the picture frames) and you’ve got a bit of Bijou right at home.

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Often, when we do wood paneled walls, we use them sparingly;  they become a backdrop to vignettes.  Whether stained or painted, wood paneling can act as a beautiful foil to present staged compositions.

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Most traditional wood paneling and wainscoting is of the raised or recessed variety.  In our office, we designed a wood wainscot with a fluted texture, like the face of an architectural column. Used in this fashion, this traditional surface method comes across as very modern.

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To convey a mood or tell a story, we’ll often bring exterior materials inside. We wanted this breakfast room solarium to feel like an outdoor courtyard so the same rock veneer that clads the outside of this house was invited indoors.  A continuous copper water trough at the top of the focal wall creates an intentionally leaky feature.

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In a penultimate case of wall adornment, we commissioned artist David Braly to create a mural for the walls in this Italian-inspired dining room. David employed an inspired graphite method that created a subtle, faded, tattoo-like environment.

I hope we’ve inspired you to look at walls in a different way.  Save them from the doldrums of the gypsum wall bored.

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The ceiling plain. It’s often the ignored facet in a room. Floors get clothed with lavish tiles and rugs, walls are festooned with panelling and decorative papers. And what of ceilings? They’re considered such a step child. There even exists a bland paint color called simply “ceiling white”. Poor, distant and untended ceilings. The Cinderella of surfaces, never invited to the ball. Being so far above the visual scope of our experience, why should one bother slathering it with expense or foster aplomb?

We, on the other hand, feel just the opposite. The ceiling is the culminating acme of any room and should be given its due. That’s why we often forsake wall adornments and choose instead to lavish our design attentions above.  What with windows, drapery and artwork, walls are busy enough.  Ceilings can be beamed, planked, groin or barrel vaulted, trussed or lacquered – the architectural palate is endless. These surfaces are elevated and should be treated as such. Look upward. Heaven awaits.

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All Content on this Site is the Property of McAlpine Tankersley Architecture. Copyright © 2013 McAlpine Tankersley Architecture, All Rights Reserved Worldwide

“You can put the dining area in a more vulnerable setting than any other room, because when people gather around a table, their circle creates its own enclosure. They could sit down to eat in a busy intersection and make their own space.”
Bobby McAlpine – The Home Within Us

The dining room. It’s the space we were traditionally made to sit up straight and behave for a few excrutiating hours during holiday dinners.  It’s also the room we couldn’t wait to leave.  I think it’s because we seldom go in there; it’s simply not on our daily radar. Sometimes the neglected dining table becomes a vast slab of a desk destined for paying bills or organizing tax receipts. This hardly makes it a place of happy respite.  Often, out of desperation, the ignored dining room is painted  bright red, meant to induce warmth and conversation. I think this represents the hell awaiting when you are forced to enter its stale bowels.

When we design or renovate a home, we strive to make the dining experience a graceful part of everyday life.  One way of accomplishing this is by locating the dining room or table in an untraditional location.  Seating diners in the center of a grand salon, in the warmth of a book-lined library or nestled into a bay window breathes life into the once-staid experience.  We’ve found, if your dining table is located in the path of your everyday walk, it eventually becomes accustomed. It’s no longer unapproachable and strange but a welcome member of the family.  Meals are had.  Homework is done.  Sunday papers lie strewn.

If your dining table has fallen, neglected and dusty, out of favor, fall in love all over again:  plop it down it in a favorite space in your home and rekindle its purpose.  It’s just furniture; it doesn’t require the stigma of being in the “dining room”.  Joyfully circle ’round with friends and family, reconnect and feed your soul.

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Stumbling on the same evidence again and again I’ve discovered a few secrets of my instincts

and they have led me to my parents

I’ve come to know how I have walked and prospered 

in the presence of a love that has little circumstance

that all I have done these last twenty years

has been in front of the fixed plate of a benevolent love

on reflection I see the beginnings of a growth in its likeness

in this work, I plant this host that graces me

You see everything good is traceable to love so I dream of places with hearts

so big they are quiet

so tall they are quiet

so long they are quiet

so wide

always a host in your presence

asking nothing, giving all

and a place to be in its lap back far enough to ponder the beauty of it all

a witness box, a back seat, quiet, watchful, learning from the host

daring and intense intimacy, healing curative chambers

where house is a metaphor for love

rooms we wade into like a few cocktails til we feel the water rise to tickle our cheeks

and we become weightless, burdens withdrawn with gestures so large that they become quiet

like great love

great love you may dance and play before, for it will never change

never more

it is at your back, warm and earthen, securing any flight

beautifully mixing inertia with ascension

it is to be in the hollow of God’s hands

these are the chambers of the human heart

where lovely things are said, thoughts sustained, kindness exchanged and truth abides

where every object is not its own

where something larger than could ever be there somehow is there

collecting us, affirming us, grounding us, teaching us

the father, the mother, the transportation, the intoxication, the sanctuary

the power of rooms

reminding us we are not out here spinning by ourselves

reminding us we are not alone

after all, what are these rooms but manifestations of our own hearts

that they might be what we have learned

Bobby McAlpine – “Finding Home”  ©

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